roxybisquaint: (sarah sad)
Roxy Bisquaint ([personal profile] roxybisquaint) wrote2009-04-17 09:57 pm

Born to Fail - part 1

It's been a week now and after my fourth viewing of Born To Run, it doesn't make me miserable anymore. I guess I finally desensitized to what I disliked and that freed me up to think about the rest. I've got gripes and grievances, nits to pick and sundries to poke. But there are good moments to talk about too (and lots of speculation to be done).



I'll show you my shielded nuclear power source if you show me yours

If Cameron's power supply was damaged, wouldn't John have cancer too? Even so, if she believed it could be leaking radiation, why the hell would she let him touch it? And she really had to be laying down and he had to be on top of her to get to it? Please. That scene just didn't add up. It was either a really flimsy setup for Jameron cheers or it was a weak manipulation by Cameron that worked because the blood had left John's brain. I tend to think the latter. Since we just had the Jesse story wherein she spent all season trying to win future war by messing with John's love life, I really hope we're not going to find out Cameron was doing the same. But at this point it's looking that way.

Regardless, to try to get us to the point of John choosing to throw away everything to follow Cameron through time, we needed something like that — a moment of intimacy to push him from being unsure about his feelings for Cameron to deciding he loves her and can't live without her. So forced and awkward as it was, John checking out her breasts, climbing on top of her and slipping his fingers in her, um, sliced open chest, served a purpose.

Massive points for the not!sex cleverness of the scene, but it was disturbing on many levels. From the sadomasochistic not!foreplay with the knife to the "that's good, that's perfect" intensity of John realizing Cameron isn't the cause of mom's cancer, one thing is clear: that boy needs some therapy. I don't think John actually wants to fuck his mother, but the connection between Cameron and Sarah was clear...

In Charley's house in the pilot, Sarah was sitting on John's bed, watching him sleep. He jolts awake, tells her it's freaky when she does that and asks, "what's going on?" She tells him they have to go.

In the motel, Cameron was sitting on John's bed, watching him sleep. He jolts awake, tells her not to do that because his mom used to do it and he hates it. Then he asks, "what's going on?" Not!sex happens and she tells him it's time to go.

Aside from the squickiness of the similarity of those scenes, the other significance is that they both ultimately lead to a time jump.



The time jump

While the jump has the potential to push the story too far from its roots (and jackknife a giant puh-lease on the already congested time travel highway), it's also an interesting way to explore the what if scenario of a future war without John Connor. So I didn't mind the jump and I'm actually curious to see how it plays out. What I did mind, though — what I absolutely hated — was the way it happened:

John ditched his mother, who he believed had cancer, and bailed on trying to stop the apocalypse so he could jump to the future with some liquid metal he'd just met (whose motives were questionable at best and who was verbally bitch-slapping his mom all over the place) to pursue his one true love: a computer chip. I can't cheer that. I can't be wowed by that. I can't even pretend to enjoy that. It's fucked up and I'm not okay with it. Sarah, however, was okay with it. Um, what?

When John got aroused by touching Cameron's icy cold heart power supply, I should've known this wouldn't end well. I realize he's only 17 and doesn't always have the best judgement. He makes mistakes and acts rather impulsively and irresponsibly at times. I get that. In fact I like a flawed John Connor. I like that the show didn't present him as this perfect teenage kid that's ready to take on the role of saving the world. But we've gone through a lot with him this season and throwing away everything his life has been about felt like a major step backwards.

So we sort of circled back around to Samson & Delilah, but instead of John being unable to let Cameron go because he viewed her as a better protector than his mom, this time he was unable to let Cameron go because he loves her. The mother/lover blurring was getting thick anyway, so I'm glad it's over. I think I'm glad John finally came out of the closet as a cyborg lover and moved out of 2009. And it was fun that he moved in with dad. Check the final VO line in my faux S&D script from last August :D

I'd like to think the reason Sarah let John go is because she figures he's better off with Cameron in the future than alone in the present watching her die (just like when she took him to Charley). I'd still have a hard time with that, but at least it would carry some emotional weight. The other possibility is that Cameron's attempt to manipulate Sarah with "humans are the problem" actually sort of worked. When she was stepping out of the bubble, though, she said "John, we can't." We can't. Sarah didn't want him to go, didn't think he should go. So that pretty well cancels out any notion that she was thinking he'd be better off leaving — better off being away from her.

In "Samson & Delilah", Sarah told John "Maybe you could fix her. I know you want to try, but I can't let you." And we know how that ended up. In "Today is the Day pt1", she told Cameron she'd thought about taking her out with Derek's sniper rifle but she didn't because John would never have forgiven her. So maybe the desperation in John's voice when he said, "he's got her chip, he's got her," made Sarah realize she'd truly lost him to Cameron.

I still don't know if Sarah thought John loved Cameron or was bonded to her like family or what, but at the very least, Sarah understood that John had a powerful attachment to her and there was nothing she could do or say to come between that. So she let him go and she stayed behind to carry on the fight alone. It doesn't work for me, but that's all I can come up with so far.



Without John, your life has no purpose

The series started with Sarah telling John she'd stop Skynet and she reiterated that as he was leaving. So she still has a mission, still has a goal, still has a purpose and that's why she stepped out of the bubble. But what happens to Sarah when she doesn't have her son to fight for anymore? John has sort of been Sarah's moral compass. How could she raise him up to save humanity if she gave up her own in the process? So she's been fighting the good fight for his sake. She has "participated in the miraculous and the terrible and through it all... maintained a moral and good soul." Well, mostly.

She'll continue to battle Kaliba and work to stop judgement day, and with John gone, I think we can be sure she'll throw herself into it like never before. Cancer or no cancer, you know the woman will fight on until she collapses. But will she still be fighting for John or fighting for humanity or will she just be fighting because it's all she knows? Will she start to believe, as Ellison said, that she's got nothing left to lose? "There's always something to lose," though. I think that something is her soul.

Here's bad news...



Sarah and John failed

Sarah never did stop Skynet and John never did lead the resistance. There was no John Connor when the resistance was formed. He vanished off the face of the earth in 2009 and didn’t resurface until 2027(?). And since it's a post-apocalyptic world, we know judgment day happened. It gets worse. With John at one end of the timeline and Sarah at the other end of that same timeline, it's a closed system. The future IS set now. It's a done deal... They failed.

Assuming judgement day is still set at April 21, 2011, Sarah might spend the next two years running from the law, protecting Savannah, looking for Danny Dyson, and battling Kaliba. But whatever she does has already happened at John's end and it failed to stop the apocalypse. John not leading the resistance might not be a failure. Whoever did form it might be doing an awesome job. I really doubt that, though. I think we're likely to find out that this future is hell and the resistance is losing.

Can their failures be erased? Of course. But only if John jumps back. That would free up the path to an unknown future again. In the meantime, we'll be spending time with Sarah doing things that ultimately don't matter and we'll be spending time with John maybe learning things that won't matter until he comes back. So, cool or not, I think it's likely to be a short stay.



Cause and effect

I got deep into time travel once before and settled on multiple timelines (multiverse) in TSCC. I'm still inclined to think that's what we have going on, despite a few discrepancies in the show. Jesse and Derek established the existence of multiple futures, which I translate into multiple timelines. But it's possible the writers are using some sort of single timeline theory in which anything can happen. I hope not because that gets a little Back to the Future hokey. But I do think we've hit a point where we need to know. When you hurtle John Connor into future war, it's time to set some ground rules.

With characters at both ends of the spectrum, we'll see the result of everything that happens in between. From Sarah's perspective, anything can happen, but from John's perspective it's all history. Sarah won't know what became of John after he jumped or know the future effects of her actions. But John may learn a bit about what his mom did after he jumped away in 2009. By giving us both stories, it could be that we'll sort of get a real-time view of Sarah's impact on the future. In other words, we might get to see the cause of what John sees and the effect of what Sarah does. I don't think that's a long-lasting way to tell a story, but it could be interesting in the short term.



One possible future, I don't know tech stuff

I've seen a lot of speculation that John has jumped to a point before he became the leader of the resistance. Also that the out-of-focus teen John behind Derek in the time chamber in "Dungeons & Dragons" was an actual reveal of how old future!John really was. That's incorrect. This is an alternate future, not one that's been hinted at and not a precursor to what we already knew. Here's why:

- In "Dungeons & Dragons", Cameron told John that he spent 6 years in a Skynet work camp with Kyle from 2015-2021. We learned in "What He Beheld" that Kyle was 8 on judgement day (2011), so that would've made him 12 when he and John first got captured. Kyle in this current future is a grown man.

- In "What He Beheld", Derek told John that he celebrated his (John's) 30th birthday with him. That would mean Derek couldn't be sent back on his time travel mission for at least 13 years. And Derek is certainly not 13 years younger right now than what we knew him to be in 2007 (he'd be about 18 years old if he was).

- In "Goodbye to All that", Derek said Martin Bedell helped John form the resistance. Clearly the resistance is already formed.

As for when John is, we can use Allison as a marker. She was probably born in 2008 because her mom was pregnant when Cam called her in "Allison from Palmdale". And she's what, about 18 now? So I'd estimate John to have landed in 2026 or maybe 2027.

John could stay, join the resistance, work his way up the ranks and maybe one day lead the fight. But it would take a long time and it would absolutely be a different story than what we've heard to date. I don't see that happening. Aside from believing Sarah's story is a dead end until John returns, the biggest drawback to him staying in the future is it essentially splits the show into two separate stories: John's and Sarah's. And since she won't have any clue what he's up to, it wouldn't exactly be The Sarah Connor Chronicles anymore. Don't even start with the "it's not about the title character anyway" comments.


I've got lots more to talk about but I'm just going to stop here for now.

[identity profile] bobmacpharson.livejournal.com 2009-04-21 05:03 am (UTC)(link)
I've been pretty stressed of late (I'd say embarassingly so) regarding Season 3 or lack thereof. A few thoughts/questions:

1) First of all, you've all pre-ordered the Season 2 DVD, right?

2) Second of all, what do you think the best way to get new people into this show is? The problem I've been facing is drawing line between not bugging people enough to get them to actually watch it and bugging them so much you sound like a manic, ravenous fanboy/gal. Much as I love being a geek, I have to admit that listening to other geeks rave is infuriating when you aren't already interested in the same thing they are.

It's helped a bit that I've already got a few people at school interested and those people have all attested to how great it is, but it's a slow show to get into for most people (the people here who fell in love at Gnothi Seauton non-withstanding). Most people I talked weren't seriously amazed until Season 2, and I'm trying to decide whether to recommend new people just start at Season 2 and then rewatch Season 1 if they're into it, or if the things that make Season 2 great hinge on having watched from the beginning.

(There's also the issue of "If they have to work through Season 1 first, it may be too late before they start watching Fox/hulu episodes, if it's not too late already.")

3) Does anyone know what the actual difference between Hulu and Fox.com ratings are? How much do either of them matter? How much does view count matter vs single viewings from multiple IP addresses? I suspect both companies keep that information fairly hidden to reduce ad fraud but I'm hoping someone here knows something. I've been running through the episodes on both Hulu and Fox a few times each now and I'm worrying that at some point I get labeled as potential ad fraud and actually start hurting the process.

4) Any thoughts on what would be the optimal way for them to approach Season 3 in terms of ensuring enough permanent viewers to remain profitable? I'm sure if they actually TARGETED the target audience instead of promising ACTION ACTION ACTION BADASS BABES WITH GUNS they'd get more permanent viewers. I'm also unsure how exactly you'd target the target audience. Some of the most fascinating things about Season 2 to me were Weaver raising Savanah and the fact the Cameron and John's relationship is NOT stereotypical soap opera. How do you pitch that in a 30 second commercial?

Rumors claim that Warner Bros is approaching Syfy with the show, and that a sticking point in the negotiation is creative control, with Syfy wanting them to be more episodic. I can't even think how you could turn the show episodic given their current arc.

[identity profile] bobmacpharson.livejournal.com 2009-04-21 05:04 am (UTC)(link)
I think the main issue with season 2 was that it was chopped in half, but there were three separate stories each dragged in the middle. Part of good story telling is knowing how to break up your piece in to proper chapters. Heroes has been pretty good at this (even as they get worse and worse at actual plot, scripting and acting). Heroes Season 3 was broken into two volumes with self contained stories that ended and began dramatically.

Fortunately Season 3 lends itself well to this. I can easily see a first act focusing on John in the Future and Sarah in the past that ends with them reunited, kicking off a new mission for the latter half.

I'm not sure how Season 2 should have been done differently. People here seem to like the Kaliba arc, but elsewhere that's almost universally seen as the weakest part of the season. I agree that several episodes focusing on Sarah Connor were crucial, but I think it could have happened in a way that didn't impede on the... well, frankly, more popular characters.

I think some of the singleton episodes could have been pushed further back, and Today's the Day could have functioned as an Act I finale, and then have the Kaliba story be Act II, instead of trying to weave them together. The Kaliba story in general felt too vague and drawn out to me. The whole 3 dots thing in particular always struck me as lame, and even seeing them at the end did nothing to reassure me the whole thing wasn't in Sarah's imagination. Some random computer has three dots on it? And those 3 dots aren't part of any kind of advertising campaign to help us find it? Gee, random guy from the future! Thanks!

So... yeah. Thoughts?

[identity profile] motoki.livejournal.com 2009-04-21 08:51 am (UTC)(link)
Uh those supposed rumors about SyFy originate from Lanie Grace, who herself ripped them off of speculation people have made and tried to pass it off as something more concrete than that.

She's a completely unreliable source who seems to be spreading false rumors about this show to get hits for her website, I guess.

Honestly if at this point she said the sky was blue I'd go outside and check to make sure.

[identity profile] bobmacpharson.livejournal.com 2009-04-21 12:21 pm (UTC)(link)
Is she the same one who had that fake finale review? I thought that was someone else, but one of the things that frustrated me about it was that I following what looked like links to different blogs that always led back to this ausiello guy (who apparently is supposed to be a respectable blogger) but who, yeah, seemed to be just makin' shit up.

Either way, the Syfy thing is the sort of thing that COULD be true, if not now, then later. In the interest of covering my bases I sent an email to them to.

[identity profile] roxybisquaint.livejournal.com 2009-04-21 05:04 pm (UTC)(link)
Is she the same one who had that fake finale review?

Yeah, same chick. She makes stuff up just to driver traffic to her blog. Over at Sarah Connor Society, we won't even let people link to her site anymore since she's a known fake. BTW, if you've never posted there before, you'd probably like it. Things have been kind of dead for the past few days, but it's generally a pretty good group that posts there (I'm allergygal over there).





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